i have to keep adding metropolis ark 1 everytime i close kontakyt

Yes, eventually the track count might develop into high numbers, but why pack for a move, each time you write something?Ĭoncept: Instrument software, do such a great job accessing their libraries, of tens of thousands of sounds. Why port such a vast number of things into a DAW tracks. How do you find things? Color? Why not have those favorites be marked by your instrument library? VST instruments typically search their libraries almost instantly. Understandable, but one thousand starting points as tracks in a DAW would seem to get in the way of searching, and developing. If the answer is, 'well, I have my favorites'. Hidden, or otherwise to start out with creating something. It just seems so anti productive to weed through one thousand tracks, not used yet.

It's certainly a good idea to create 'a template' of SOME foundation to help get started on, but a DAW not being a database. This is only a question as I can't for the life of me understand what is easy about a starting template of 1000 tracks, for orchestral or other startup needs. I'm curious to know what your approach for big templates looks like. So, at this point I'm a bit out of ideas. basically you cannot store multiple audio or instruments tracks or even folder tracks containing tracks since there are no track presets, track colors are not saved sends cannot be saved with instruments (I know about the multi instrument / splitter workaround, but that's not an option if several tracks have to share the same 1 or 2 sends there are no track presets, only instrument presets Now the huge downside of this approach is: instead of having all the instruments in the template, create track presets and drag them over, when needed always start with a minimal project, with sends and folder tracks as a basic structure I'm now trying to find a workaround for my workflow.

The project loads an eternity, not to speak about the saving times. In Cubase I'm using about 1000 tracks for my template and there is no way to make S1 digest such a huge amount of tracks, even when the tracks are de-activated. However, for film work, there are still a lot of functions missing. I've been digging into S1 for some weeks now and I really like it a lot.

I have to keep adding metropolis ark 1 everytime i close kontakyt